Coyote provides bold, bright, colors for your ware. The look of reduction in an electric kiln. Durable and not runny, these glazes are equally suited to both decorative and practical ware. They combine great with other Coyote glazes, especially the Archie's and Shino series.
Coyote Glazes and Underglazes are evaluated by an independent toxicologist. None of our recipes use lead and all are non-toxic in the liquid state.
The Texas Two-Step Oilspots are a specialized series that use pairs of glazes to create unique effects. Anywhere that one of the five overcoats is laid on top of Licorice, Coffee Bean, or Brick Red, a stunning spotted pattern will appear during firing. Thicker applications lead to bigger spots. Try using wax resist after the first layer to create negative space designs.
Texas Rose, Marshmallow, Licorice, and Sea Mist. Artist: Sharon Galbraith
One of the most varied series from Coyote, the Copper and Iron Glazes provide beautiful, traditional looks for ceramic wares. They each have their own properties, but most are durable enough for functional ware.
Oxblood. Artist: Susan O'Connor
The Mottled Series are designed to produce beautiful variegated colors with ease. Simple to apply and suitable for all types of ware, these colors are stunning on their own or combined with other glazes. They may appear thick in the jar and should be applied thick.
Fire Opal over Black. Artist: Alan Stopper
Satin glazes have a soft, opaque surface that feels smooth to the touch. Durable, bright, and reliable, they are the perfect series for any functional potter seeking a contrast from more typical gloss glazes. They are not runny, are easy to use, and look great with the Archie's series.
Charcoal Satin and Shino. Artist: Betsy James
provide bold, bright, solid colors for your ware. Durable and not runny, these glazes are equally suited to both decorative and practical ware. They combine great with other Coyote glazes, especially the Archie's and Shino series.
Pansy Purple. Artist: Nancy Mayo
Our Matt glazes are a favorite series for sculptors everywhere. They provide a strong color tone and nice variety without a glossy finish. They are very stable and reliable, almost never running or behaving unexpectedly.
Perfect for potters looking for something unusual, our Crawl glazes have a tree-bark surface that's rough and dry to the touch. To achieve the crawling effect, they must be applied very thick, until the dry surface of the glaze cracks before firing. They can also be used over underglazes.
Photo:Carrie Anspach White_Crawl_inside_Cactus_Crawl_
The Archie's Series can be challenging to use, but rewards your skill with some of the most beautiful glazes available. They flow and interact with other colors dramatically, creating fantastic finishes unlike anything else possible in an electric kiln. They are also strongly affected by slow-cooling.
May not fit all clay bodies. Test for shivering on your clay.
Store in a warm place. Crystals may form in liquid glaze if kept below 65 F
Test all foodware to determine food safety.
Coyote Underglazes are the only commercially available underglazes specially designed to be fired at cone 5-6. The colors can be mixed, and stay true and stable up to cone 10 in oxidation. They are always bold and striking, and are suited to functional ware when covered in Coyote Gloss Clear and fired to cone 6. They can be used on either greenware or bisque.
Enduro-Color Glazes are designed for durability. They are perfect for liner glazes, standing up against fork and knife marking, dishwashers, and tomato stains. Enduro-Colors resist acid, chipping, crazing, scratching, staining, and all other hard use factors.
|Test all foodware to determine food safety.|
Frank's Colored Celadons are a beautiful series of translucent glazes. Because they can be seen through, they are perfect for work with fine details or carving, or as an alternative to clear for ware with underglaze. They do not run and look great on their own or combined with other glazes.
Crystalline Slow Cool Glazes are a great way to add exciting new details to your work. They are less runny than traditional crystal glazes, removing the need for a drip tray, and can be fired with other, non-crystal glazes. They do still run, so take care with your application!
|Not recommended for use on foodware.|
Visit our safety page for more information.